Photographing the Peter Iredale Shipwreck at Fort Stevens

After leaving Whidbey Island on July 12, we headed to Fort Stevens on the northwest tip of Oregon. My motivation to visit this location was based on photos I had seen of a shipwreck on the beach. This is the wreck of the Peter Iredale, a four masted square rigger that ran aground in 1906. One of the rangers told us that this is the most photographed shipwreck in the country. I had envisioned a photo of the wreck against a glorious sunset.

Alas, we had fog. This put the wreck in a whole new light and offered some opportunities that I had not anticipated. I had my Nikon D850 and tripod as well as my trusty iPhone 14 and my Sony RX100. I put all these devices to use.

I had an idea to capture the scene as a long exposure to blur out the surf while keeping the wreck in sharp focus. That’s the first variation you see here.

For the second variation I wanted to use the soft light of the overcast to bring out the rusty color. This being a popular location, some patience was required to find an opportunity when people were not swarming over the wreck. Then as people were exploring the wreck I thought it might be interesting to employ some Intentional Camera Motion (ICM) to create a blurry image. This turns out to be my favorite images from this photo session. The blur and the people seem to add a sense of mystery. In the morning the sun came out and that created a whole new feeling to the scene.

In addition to the wreck, some of the old military installations make for fascinating subject matter for photography. Here are several images I captured at West Battery which seemed to lend themselves to a black and white presentation.

Chasing the Sun

A month ago, on February 6, I left home along with my wife Joann to drive over the mountains to Big Pine. Along with taking grandma (Joann) over to spend a few weeks providing child care, I had the added mission of taking time in the Eastern Sierra to pursue some landscape photography. For me this means chasing the sun . On previous trips I have explored the ghost town of Bodie, the Alabama Hills, and the Bristlecone Pine Forest in the White Mountains, all locations that are quite accessible from Big Pine and offer stunning photo opportunities.

For this trip I decided to explore locations close to Big Pine. Why spend time driving when you have the majestic Sierra in your back yard? And with a trip home in the middle of the month I had ample opportunities to chase the sun further abroad.

My first sunrise venture took me to a location just off California State Route 168 with a view of the town of Big Pine and the snow capped Sierra to the west. The town of Big Pine was lost in the shadows but when I switched to a longer focal length I captured the image of Birch Mountain you see above. Just a few minutes later from a location along the Owens River I captured a image of Mount Sill, the image on the right.

A week later I pointed the camper home and spent the night near Mono Lake. Here’s a photo of me on the morning of February 17 captured with my drone. It was 11 degrees when I stepped out of the camper. My dog Carson was not going to leave the camper at that temperature.

The evening before, while I was exploring the environment near Mono Lake, I was struck by an otherworldly landscape with the black branches of burned shrubs against a blanket of white snow. A few days later on the morning of February 22, I was again camped at Mono Lake on my return back to Big Pine. This time I found a better vantage point to capture some color in the sky over Mono Lake as illustrated in the photo above. Also shown is an image captured along the Owen’s River featuring a bare cotton wood tree in the morning light.

Once back in Big Pine I continued my search for photo vantage points close to town. Here’s a photo of Birch Mountain and the surrounding peaks from the shoreline of Klondike Lake.

One of the things that fascinated me on this trip were the limbs and branches of the bare trees against the blue sky. Whereas the morning and sunset photos are captured with a Nikon D850 on a tripod, often blending multiple exposures, during the day I’m more likely to use my point and shoot Sony RX-100, which captures amazing photos. The back and white image of the trees was captured on a morning dog walk. I applied some post-production wizardry to make the trees and the snowy mountains stand out.

For my last sunrise venture I put the drone in the air to capture a photo with part of the town of Big Pine in the foreground and Sierra Nevada mountains just starting to capture the morning light. Here’s a link to a larger collection of photos from this trip. Some of these images will be available shortly in my art store. Feel free to contact me or comment.